Sunday, 1 December 2024

Poet's Tomb – Shuntaro Tanikawa


In a certain place there lived a young man

Who lived by writing poetry

He wrote a poem of celebration when someone got married

He wrote a poem to be carved on a tombstone when someone died

 

People offered many things to thank him

Some brought a basket full of eggs

Some sewed a shirt for him

Some just cleaned his room because they had nothing else to offer

 

He was happy for whatever was given to him

He thanked everyone just the same

An old woman for the gold ring she gave him

A little girl for the paper doll she made for him all by herself

 

He had a name but

People called him Poet.  They did not use his name

He seemed embarrassed at first but

He got used to it by and by

 

His fame reached far and orders came in from distant places

Cat lovers asked for poems on cats

Gluttons asked for poems on food

Lovers asked for poems on love

 

He did not decline any requests however hard they were

He would sit at this rickety old table

Stare into space for a little while

Then somehow came up with a poem

 

His poems were admired by everybody

Poems that make you cry out loud

Poems that make you laugh until your stock hurts

Poems that make you think long and hard

 

People asked him various questions

“How come you can write so well?”

“What should I study if I want to be a poet?”

“Where do you get such beautiful words?”

 

But he gave no answers.

He couldn’t, even if he wanted to.

All he could say was, “I don’t know either.”

People said he was a nice guy.

 

One day a young woman came to see him.

She had read his poems and wanted to meet him.

He fell in love with her at first sight

Effortlessly wrote a poem, and dedicated it to her.

 

When she read the poem she felt an emotion she could not describe.

She could not tell whether she was sad or happy

She felt like scratching out the stars in the night sky

She felt like going back to a time before she was born.

 

This is not a human feeling, she thought.

If this is not divine, this may be of the devil

He kissed her like a breeze

She was not certain if she was in love with him or his poetry.

 

From that day on she lived with him

When she made breakfast, he wrote a poem about breakfast

When she picked wild berries, he wrote a poem about wild berries

When she disrobed, he wrote a poem on her beauty

 

She was proud that he was a poet

She thought writing poetry was far more impressive

Than plowing the land, building machines,

Selling jewels, or being a king

 

But once in a while she felt lonely

When she broke a treasured plate

He did not get angry, but consoled her

She was glad, but felt something was missing

 

When she told him about the grandmother she left behind

Tears fell from his eyes

But next day he’d totally forgotten about it

She thought there was something odd about that

 

Yet she was happy

She wished to be with him for a long long time

As she told him so, he held her tight to his chest

His eyes were looking into space, not at her


He always wrote poetry alone

He had no friends

When he was not writing poetry

He looked utterly bored

 

He didn’t know the names of flowers, not a single one

Yet he wrote many a poem about flowers

He was given many flower seeds for thanks

She grew flowers in the yard

 

One evening she was sad though she didn’t know why

She clung to him and cried out loud

On the spot he wrote a poem praising tears welling up

She tore up the poem and threw it away

 

He looked sad

Looking at his face, crying even harder, she screamed

“Tell me something that is not a poem—

Anything will do, just say it to me!”

 

He stayed silent, looking down

“You have nothing to say, do you?

You are just hollow

All things simply pass through you”

 

“I live only now in this space,” he said

“I have no yesterday or tomorrow

I dream of a place void of everything

Because this world is too bountiful and too beautiful!”

 

She hit him with her fists

Many many times with all her might

Then his body grew limpid—

His heart, brain, bowels, all became invisible like air

 

Through him a town came into her view

She saw children playing hide and seek

She saw lovers in their firm embrace

She saw Mom stirring a cooking pot

 

A drunken official came into her view

She saw a carpenter sawing a piece of lumber

She saw an old man choking on his coughs

She saw a tombstone that seemed ready to fall apart

 

She came to and found herself standing all alone

By the tombstone

The blue sky was as vast as she had always seen it

Not a single word was carved on the tombstone


© Translation: 2011, Takako U. Lento


To My Mother – George Barker


Most near, most dear, most loved, and most far,
Under the huge window where I often found her
Sitting as huge as Asia, seismic with laughter,
Gin and chicken helpless in her Irish hand,
Irresistible as Rabelais but most tender for
The lame dogs and hurt birds that surround her,—
She is a procession no one can follow after
But be like a little dog following a brass band.

She will not glance up at the bomber or condescend
To drop her gin and scuttle to a cellar,
But lean on the mahogany table like a mountain
Whom only faith can move, and so I send
O all her faith and all my love to tell her
That she will move from mourning into morning.

A Martian Sends a Postcard Home (1979) Craig Raine


Caxtons are mechanical birds with many wings

and some are treasured for their markings –


they cause the eyes to melt

or the body to shriek without pain.


I have never seen one fly, but

sometimes they perch on the hand.


Mist is when the sky is tired of flight

and rests its soft machine on ground:


then the world is dim and bookish

like engravings under tissue paper.


Rain is when the earth is television.

It has the property of making colours darker.


Model T is a room with the lock inside –

a key is turned to free the world


for movement, so quick there is a film

to watch for anything missed.


But time is tied to the wrist

or kept in a box, ticking with impatience.


In homes, a haunted apparatus sleeps,

that snores when you pick it up.


If the ghost cries, they carry it

to their lips and soothe it to sleep


with sounds. And yet, they wake it up

deliberately, by tickling with a finger.


Only the young are allowed to suffer

openly. Adults go to a punishment room


with water but nothing to eat.

They lock the door and suffer the noises


alone. No one is exempt

and everyone’s pain has a different smell.


At night, when all the colours die,

they hide in pairs


and read about themselves –

in colour, with their eyelids shut.


Cup by Annie Bien


Consider this cup, with fulsome lip shaped
in an O, vessel for an elixir -


Those lips moistened again and again press
you close for sustenance, drinking in deep

the draught of life, whether with absent mind
or tongue licking consciousness, newly roused.


When empty, your damp sides now dried, full
with potential. When full, fingers grasp you

desiring fluid, water clear and light,
smooth taste, slippery down the throat; when mixed,

coffee grounds, tea leaves, chocolate, fruit ades
stick to ceramic sides for seers, a cat

with furtive tongue licks drops of milk, scrape.

How many lips and tongues will slip themselves

around you in your lifetime, hands firmly
gripped and pressed against you?


On the shelf, you rest, upside-down, aging
with sentiment. The time he pressed his lips

to you, she didn't wash you, till he spent
the night and didn't go away.

The Tyger – WILLIAM BLAKE


Tyger Tyger, burning bright, 

In the forests of the night; 

What immortal hand or eye, 

Could frame thy fearful symmetry?


In what distant deeps or skies. 

Burnt the fire of thine eyes?

On what wings dare he aspire?

What the hand, dare seize the fire?


And what shoulder, & what art,

Could twist the sinews of thy heart?

And when thy heart began to beat.

What dread hand? & what dread feet?


What the hammer? what the chain,

In what furnace was thy brain?

What the anvil? what dread grasp.

Dare its deadly terrors clasp?


When the stars threw down their spears 

And water'd heaven with their tears:

Did he smile his work to see?

Did he who made the Lamb make thee?


Tyger Tyger burning bright,

In the forests of the night:

What immortal hand or eye,

Dare frame thy fearful symmetry?

How Do I Love Thee? Elizabeth Barrett Browning

 

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.


Flowers by Wendy Cope

  Some men never think of it. You did. You’d come along And say you’d nearly brought me flowers But something had gone wrong. The shop was c...